Saturday, June 23, 2012

Designing art studio/living space


Living the Life of an Artist

Why do studios always have to be relegated to out buildings, back rooms, or basements? I know, for most people there are others living in the house and life often revolves around family. I no longer have those issues.

My art is my life. I live for my art. I want my living space to reflect that. Well, it does, but I want it better. Because I do my work in the main part of the house, my home always has the artists’ look with chaos and mess. That’s mostly because my current situation doesn’t allow for an immediate “home” for the supplies and tools with which I work. Some of my work space is on the second floor and some in the basement. However, the majority of what I do is centered at the dining area table and there are not enough storage areas for all my equipment.

How can I design my current space as an art studio? I can’t really. The layout of this house and what is already established is typical for family living. It is not conducive for putting computer, printers, easels, and other equipment and supplies that go with all that I do.

My dream is to design my living space around my art and MY life. I live alone so my work would not encroach on someone else’s space or take up family areas. Why couldn’t I design my home around my art and how I work? My life IS my art and I love what I do. I want my living space   centered around that.

I spend a lot of time thinking about what I need, how I would like things set up, the position of windows, shelving, cabinets, and counters, etc. I need to have things that are easily accessible because I’m the type of person that will not take the time to go searching for those things that I know are “somewhere” in a box or buried in a closet. The most difficult aspect of developing space is that I work in multiple media. There are painting, photographic, and charcoal supplies and all that entails, plus more.

There’s no sense in putting money into design right now because I am going to have to sell my current home and downsize within the next year. I am hoping to find someone who will be able to put my dream into a concrete design and reality in my new home. (‘Course it’s frustrating to have to wait to sell and search. I am no good with real estate and all that comes with moving.) Of course, it’s hard to visualize a layout without knowing what the house will look like, but I continue to dream… and plan…

What would you visualize as the perfect art studio?

Wednesday, June 20, 2012


Living the Life of an Artist

It’s funny how I can look at a photograph and think, “Oh, this will make a great, easy drawing.” When I get into it, I realize it’s not so easy after all. The drawing refuses to look like the photo. I ask myself how I missed that mountain or tree. I stare at the photo for what feels like hours and my eyes will totally slide right past things and then when I start getting into the detail, I realize I did not put in background shading in a particular spot. At that moment, it is so glaring, that I feel stupid for not seeing it before.

Maybe it’s the drawing’s way of doing what IT wants. Maybe there’s some intuitive feelings coming through me that wants the drawing to be its own work and not be a copy of a photo. (Not that any of my drawings are ever really a copy of the photo.)

Monday, February 13, 2012


It’s Sad About the Trains

Rockingham Junction Station
Newfields/Newmarket, N.H.

On Saturday, Feb. 11, 2012, Gayle Hedrington and I were off on another adventure, but time allowed for a detour from our objective. We both love to photograph anything about the railroad and I remembered this old station I passed many times throughout the years watching as time took its toll on the abandoned building. I even stopped once in 1989 to take photos. I was interested in the railroad, but hadn’t yet developed a real passion for photographing anything besides personal adventures and family. I didn’t even know the name of the station at the time. However, it always saddened me that these beautiful buildings were abandoned and a way of life that was once so important to N.H. communities and economy had died. Hence I had developed the line, “It’s sad about the trains.”

Views of the old building were usually from the Rte. 108 overpass. Before the overpass was built, Rte. 108 crossed the junction. The 2003 road map I have calls the section of Rte. 108 between the Stratham Traffic Circle and Newmarket, College Rd. I have never heard it called that. The old section of road no longer crosses the tracks and on this current visit, I accessed it from the south side.

I was concerned that the building might no longer be standing. I was pleasantly surprised. Not only was it still standing, it was being renovated. It looked so different from what I’d remembered. I kept looking around to see if it was the right place. I am pleased that the place is being restored, but they are doing it in blue and not the original yellow. For some reason, that is disappointing, but it’s wonderful that someone is taking the care to fix it up. We took a few photos.

Normally I would never go onto property marked with No Trespassing signs, but my fascination with the railroad and history takes over. I hope I am forgiven. I would never do anything or cause any harm. I totally respect property. All I want is photos and to share the story of adventure in discovering the history of the wonderful places around us.

A Little Bit of History:
Rockingham Junction, built in the 1890s, was once a bustling area. The north and south line was used by the Boston and Maine Railroad between Boston, Mass. and Portland, Me. An east west line, started as the Portsmouth Concord Railroad, connected Portsmouth to Manchester. Rte. 108, though I’m sure it wasn’t called that then, also passed through this intersection. The area also boasted stores, restaurant, and freight depot.

The station closed in 1979, the restaurant burned and stores went away. In 2007, the freight depot was demolished. The line from the junction to Manchester was purchased by the D.O.T. in 1988, the rails torn up and the section is now part of the Rockingham Recreational Trail program. The B & M was bought out by Guildford Railroad and the name later changed to Pan Am Railways. The north south tracks are shared with Amtrak’s Downeaster passenger service between Boston and Portland and there is still some freight service to Portsmouth.

To see photos, visit FaceBook, A Touch of Light.

Saturday, February 11, 2012


Living the Life of an Artist

These past few months have been some of the toughest times in my life. My mother declined and passed away on Christmas day. She was on a gradual downhill roll and then reached a steep drop off. Her last two months were horrendous for both of us.

Now I am picking up pieces, clearing out space, and moving on. I have my moments when the sadness, regrets, and wish I should haves take over. Tears fall and sometimes I never know when they’ll come. Such is the grieving process.

In between getting used to be without my mother and working towards this year’s art shows, I am redesigning my living space. My mother was a collector. This week I am going through jewelry; her personal pieces, things she saved of my aunt’s, items they found at the beach coin finding or bought at flea markets. It’s amazing how much they had accumulated.

I’ve spent the week sorting into bracelets, rings, cuff links, earrings, pins, and necklaces, etc. Necklaces have been sorted further between gold looking pieces, silver, chokers, beads and pearls, and pendants. I have a box of religious items, a box of military/American Legion items, and many odds and ends. It’s overwhelming.

I am fascinated by some of the older items like rhinestone sets. I don’t think these have much value and the artist’s eye kicks in. I’m intrigued at the thought of using these in multimedia art work. Then there are the broken necklaces and stones that have fallen out. In the collection there are a few pieces that look to be about the 50 or 60s period and still good. I really like them and don’t want to let them go. I don’t know that anyone would wear them and again, I am intrigued by the idea of using the pieces in art.

I’m not much of a jewelry wearer myself, but I love the beauty and designs. I use them as wall decorations. The plan is to get rid of all that I don’t care for and keep some of the nicer pieces and those that I want to use in art.

To the collections, I added things from my own boxes, pieces I’ve had since childhood. I am wondering why I saved them all these years. Because I thought I was supposed to? Because some boy I no longer remember gave me a ring or chain? Most of those pieces have no value and are not in good shape. Chains are pitted and rings discolored. They’re just junk jewelry.

Then there are jewelry boxes. I really don’t want to hold on to things just because they were given to me and this made me wonder why I have done so. This might have to do with self worth. I must have been worthy for someone to give me gifts. Holding onto these things remind me that I was worth something to someone at one time. Is this especially so at a time in my life when I am no longer given gifts?

Yes, something to think about. In one aspect, I could say, okay I’ve thought about it, move on and not dwell on it. However, I have decisions to make. Do I continue to hold onto this stuff? For what? Or do I just pick out the things that are appealing to me now and get rid of everything else?

After dealing with all of my mother’s collections, I am very aware of all the things we accumulate. I need to downsize my house and what’s the point of holding onto all kinds of stuff. My life right now is all about the art work. I don’t need all this other stuff. It just clutters and takes up space. So, if it’s not going to go towards art work, decorating my walls, or be something useful, it’s going to go.

Yes, I will keep a couple things for sentimental reasons, especially if given to me by my mother or father.